Elvira   Bozga

The subject of my artistic research fascinates and intrigues me at the same time due to the complexity of its meanings: flesh and  blood - organic matters that all the living beings are kneaded of, the dialogues and the tensions that are proposed to our eyes in the absence of the covering skin, therefore questioning the limits of the humanity in its relation with the  animality and the technology.

These substances are always creating opposite feelings, of repulsion and attraction, surpassing the boundary between interior and exterior, revealing the full of flavour, instinctive and profound vulnerability of the beings and confirming once again the juxtaposition  between Eros and Thanatos, the chaining of life with death – the basis of the creation.  The disintegration and the decay preserve in them an immanence, a light radiating from the very suffering that they propose to our sight in her raw, bare state.

It is proposed a dual discourse questioning the inside and the outside, the human and the organic, the construction, destruction and deconstruction, dissolving and reinforcing the boundaries separating them just to transgress them again.

The intention is not of giving a specific form for the living, but to provoke the viewer to suspend its reason and  to immerse into the ensemble that takes place in front of him: a meat that is still alive despite the constraints it is subject to daily, a vibrating meat that claims her full entitlement.

It proposes a slowing down from the speed we live in, a contemplation of the organic, of what connects us to all the other beings, of the carnal beauty that dwells inside.